Tag Archives: art

Robert del Naja (3D) and Massive attack.

I had heard of Robert del Naja in my research into the roots of Banksy‘s art and learnt that del Naja–alias 3D–was a leading figure in Bristolian street art long before Banksy started decorating Bristol’s streets. Banksy has acknowledged 3D as a major influence. I knew also that del Naja was a member of Massive Attack. Del Naja has even been suspected of actually being Banksy. despite Banksy‘s ex-agent Steve Lazarides stating that he had seen Banksy at a Massive Attack gig.

I got hold of Robert del Naja‘s book “3D and the Art of Massive Attack” last autumn and wrote a post about it last October. A couple of months ago I bought a copy of Massive Attack‘s “Heligoland”–the limited edition version from The Vinyl Factory, with its spangly cover.

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Massive Attack’s “Heligoland package with 2 LPs, CD & booklet.

I then saw a copy of The Vinyl Factory’s limited edition (1000 copies) of Massive Attack‘s “Atlas Air” 12″ offered together with a copy of Very Nearly Almost (VNA) magazine No. 26 which featured an article on 3D for the amazing sum of £300! And the VNA magazine was the regular version, not the limited edition one. I picked up a copy of VNA no. 26 for the princely sum of £15!

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The standard shop version of VNA Magazine No. 26.

and decided that I would try to get the “Atlas Air” and “Splitting the Atom” 12″-ers too. I was lucky enough to find a seller in Germany who could supply both! They arrived a couple of days ago and I’m really pleased I got them. The cover art is magnificent.

I decided that I would buy the limited edition of “3D and the Art of Massive Attack“, too. Said and done! My copy was number 149/350 and includes a print by 3D (from a run of 1325 copies, an expanded version of the ordinary book called “Protection” and, not least a single sided 12″ entitled “Vermona“–which is only available in this box set.

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The box set of “3D and the Art of Massive Attack”.

The cover of the book of 3D‘s art and the print (on hardboard) and the “Vermona” single sided 12″ with 3D‘s etching on the reverse.

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The standard version of the book (left) and the limited edition, numbered version (right).

I’m waiting for the remastered reissue of “Mezzanine“, Massive Attack‘s magnificent 1998 album. A special 3 LP version with coloured vinyl will be released in late January 2019 to celebrate its 20th anniversary. The stag beetle cover photo is by Nick Knight and the remastered vinyl package will come in a heat-sensitive box with more photos by Knight and 3D.

Karin “Mamma” Andersson’s art on record covers.

A couple of years ago (July 2014, to be exact) I posted that I had found a record cover using a painting by internationally renowned painter Karin “Mamma” Andersson. The limited edition (1000 copies) EP by Mattias Alkberg called “Epitafium” was released for Record Store Day 2014. It comes in a poster sleeve with art by Mamma Andersson. It initially proved difficult to find, but now there are copies available on line at reasonable prices. Since then I have found a few more covers that use her art.

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Karin “Mamma” Andersson’s painting as a cover poster for Mattias Alkberg’s “Epitafium” EP.

Not long after I had managed to get hold of the “Epitafium” EP, I found out that Mattias Alkberg has released another limited edition featuring Karin “Mamma” Andersson‘s art on its cover. This time it was a limited edition, blue vinyl, 7-inch EP entitled “Skända flaggan” (which means “insult/deface the flag”).

The “Skända flaggan” EP had two different Mamma Andersson paintings on front and rear covers. Well, I thought I had found all covers featuring her art until I received my copy of the wonderful “Art Record Covers” book by Francesco Spampinato (edited by Julius Wiedemann).

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Art Record Covers by Francesco Spampinato.

In the book, Spampinato pictures the covers of two limited edition 12″ singles by Beck with cover art by Mamma Andersson. These are “Defriended” and “I Won’t Be Long“. Apparently they were released in 2013 and only available through Beck‘s website and sold out completely. A Discogs search showed me that there was even a third Beck 12″ with a different Karin Andersson painting on the cover. This was a double 12″ called “Gimme“. All three 12-inchers were readily available, though I suppose considerably more expensive than originally.
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So now I wonder if there are any more records with Karin”Mamma” Andersson’s art on their covers.

More on the “Giant Size $1.57 Each” cover

Andy Warhol produced the “Giant Size $1.57  Each” sleeve in five variations with the help of Billy Klüver, who had recorded the interviews with the artists involved in the “Popular Images” exhibition at the (now defunkt) Washington Gallery of Modern Art that ran from 18th April until 2nd June, 1963. The exact history is not known. A first edition of 75 sleeves with black image screened directly onto the coated stock record sleeve, each signed and numbered on verso was produced in 1963. He could even have printed the coloured covers at the same time or, having saved the screen, made them in 1971. Editions of 75 copies each, silkscreening the black “Giant Size” image onto sleeves that he had first spray painted. There were yellow, green, red and orange editions. These were sold in 1971.

Many covers have included the record from the “Popular Images” exhibition, possibly because Billy Klüver had a stock of the LPs. The record, comprising interviews with all eleven artists whose works were shown at the exhibition was recorded by Billy Klüver and originally came in a cover designed by Jim Dine. It seems, however, that the “Giant Size” cover was not shown at the exhibition.

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Copies of the cover with or without the record have changed hands for anywhere between $10,000 and $20,000, making them unattainable for most collectors of Andy Warhol’s record sleeve art.

However, the technique should be easy to replicate and the “Giant Size $1.57  Each” image is easy to find and reproduce. All that is needed is the right materials. Sufficient 12-inch record sleeves, spray paints, a silk screen and emulsion for transferring the image from overhead film to the screen. Then acrylic paint to screen the image onto the pre-prepared covers.

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So, having foraged for all the materials I set to work and spent 2 1/2 hours spraypainting record sleeves in the four colours.

GiantSize_RedUntil all four colours were sprayed.

I had put my name down to go a silkscreen course and was one of six “pupils” to participate on the weekend of October 12-13th. I intended to make ten sets of five covers and silkscreen the “Giant Size $1.57  Each” design onto two T-shirts.

The silkscreen with the "Giant Size $1.57  Each" image in reverse together with the overhead from which the image was taken.
The silkscreen with the “Giant Size $1.57 Each” image in reverse together with the overhead from which the image was taken.

Then I got down to silkscreening the covers, beginning with the yellow ones. Orange, green and red covers followed and finally, when had learned the technique better, I screened the white, unsprayed sleeves. I had ordered 50 covers – so no room for error. Unfortunately there were a few poor screens so I will need more covers to complete the ten sets I had planned.

The five members of our informal Warhol Cover Collectors Club have contributed to the production of these covers and will each receive a set of all five colours,

Silkscreening the first cover.
Silkscreening the first cover.

The first yellow sleeves screened.
The first yellow sleeves screened.

One set of five screened sleeves.
One set of five screened sleeves.