Billie Holiday — Volume 3. Unreleased covers by Andy Warhol REIMAGINED.

Last October, I posted an article about Andy Warhol’s unreleased cover art and described my attempts to reproduce the Billie Holiday, Volume 3 covers. Warhol made four designs for a possible Billie Holiday EP or LP entitled Volume 3.

To celebrate the 100th anniversary of Billie Holiday’s birth, Guy Minnebach published his research on the four covers. The first he found from a sale catalogue, it seems that two are in the Warhol Museum’s collection and the fourth was shown at the Robert Miller Gallery (New York) in 2011 according to Olivia Feal‘s blog.

A careful look at these covers shows that they are really collages — various bits of paper stauck together to make the finished design and then painted. Song titles are written in Warhol’s hand style. So, when were they made? Guy Minnebach, in his 2015 blog post, suggests that they were made in the early fifties, about the time he illustrated Margarita Madrigal’s book Magic Key to Spanish (published in 1953.) He points out that all the titles, were recorded in the 1930s for Columbia Records or its subsidiaries. I speculate that the covers may have been made later, towards the end of the fifties when Billie Holiday had left Columbia Records. Perhaps we will never know for sure.

I realize that these designs are unlikely ever to grace a real record and so I decided to try to make reproductions of Warhol’s designs. I’m in good company here. Many artists have reproduced Warhol’s art, starting early in the late sixties with Elaine Sturtevant’s copies of well-known Warhol works and continuing up to the present with Richard Pettibone’s miniature reproductions and Gavin Turk’s reinvention of Warhol’s Fright Wig Self Portrait.

So here are the results:

These are my renditions of Warhol’s originals.

My printer has managed to print up a limited edition of ten copies of each cover as ten-inch covers.

I am very happy with the results and to be able to add these to my other reproductions, such as the Progressive Piano ten-inch LP and seven-inch that I made several years ago. Wouldn’t it be nice if Columbia Records actually issued these records?

Visual Vinyl– An Exhibition of Jan van Toorn’s Amazing Collection of Record Cover Art.

Record cover art has become a recognised field of collecting and exhibitions of record cover art are now quite common. Some of us collect specific artists, some collect a particular type of music (heavy metal or hip hop seem popular) while others collect more generally and have collections solely based on record covers’ artistic merit. The first collector I came in contact with was Guy Minnebach, who has an amazing collection of Andy Warhol’s record cover art. Through him I got to know to know Frank Edwards who at first collected Warhol’s record covers but later branched out to collect more generally, including a wide variety of covers by various artists. Frank Edwards’s collections have been exhibited at the Cranbrook Art Museum.

As a follower of Mike Goldstein’s Album Cover Hall of Fame blog I have had the opportunity to see a number of record cover art exhibitions online and Mike recently tipped me off about one he thought I should have seen — the Visual Vinyl exhibition at Schunk, Heerlen, The Netherlands, which ran from 28th November 2015 — 6th March 2016. Mike had just got hold of the exhibition catalogue. A beautiful 232 page hard cover book. The exhibition, curated by Lene ter Haar and Cynthia Jordens, showed hundreds of record covers from Jan van Toorn’s amazing collection ranging from the commonplace, like Andy Warhol’s Velvet Underground & Nico Banana cover to more obscure releases by the Fluxus group. Many very rare covers were included and the book has pictures of a whole host of them. In the book’s final pages Jan van Toorn describes his collecting philosophy and then presents a discography of his collection listing 2200 covers ordered alphabetically by designer/artist. You won’t find any record industry designers — no Steinweiss, Jim Flora, Aubrey Powell, Roger Dean — but Peter Blake & Jann Haworth (Sgt. Pepper) and Richard Hamilton (The Beatles) are in. So are Banksy and Damien Hirst. Art bands like Sonic Youth get included.

Jan van Toorn lists several covers by David Shrigley in his discography, but none is pictured in the book. He also has one of Andy Warhol’s Giant Size $1.57 Each covers from the numbered limited edition of 75 copies made by Billy Klüver for German gallery owner Heiner Friedrich in 1971.

However, van Toorn doesn’t seem to know the history behind this record cover. He suggests that these 75 covers were all that Warhol produced. In fact, it was Swedish engineer turned artists’ assistant. Billy Klüver who had made the eleven interviews with the pop artists included in the Popular Image Exhibition in Washington D.C. in 1963 who asked Warhol to help make covers for the LPs of the interviews that he had had pressed for the exhibition (at the show, they were sold in envelopes designed by Jim Dine, together with the exhibition catalogue.) Klüver obviously had records over and in 1963 he and Warhol screen printed hundreds of covers, some with white backgrounds, others with green, red, orange or green spray-painted backgrounds that Billy Klüver took charge of. When Heiner Friedrich, a German gallery owner, asked for a limited edition, Klüver took 75 white covers with records and asked Warhol to sign and number them and Friedrich sold them at his gallery. Klüver later sold copies of the coloured covers, some with records, some without. And a few of the white variety were sold at Andy Warhol’s first international retrospective at Stockholm’s Moderna Museet in January-February 1968.

The Visual Vinyl book is a great addition to my library.

Records as Art — David Shrigley.

David Shrigley is a hugely popular artist, sculptor and poet. He has recorded a number of singles, albums, CDs and cassettes with a variety of coworkers. Other artists have recorded his poems. As I wrote in a recent post, I first came into contact with Shrigley’s art when I bought Castle Face Record’s cover of the Velvet Underground & Nico‘s seminal album, for which Shrigley had re-imagined Andy Warhol’s Banana cover.

Since then I have so far come across twenty-one records, books (with records), cassettes and CDs that feature Shrigley’s conceptual art.

BallboyA Guide for the Daylight Hours2002
BlurGood Song2003
David ShrigleyForced to Speak With Others2006
David ShrigleyDing Dong2006
DeerhoofThe Perfect Me2006
DeerhoofFriend Opportunity2007
CompilationHallam Foe (Soundtrack)2008
CompilationWorried Noodles2008
White NightWhite Night (7-inch picture disc)2008
Jason MrazWe Sing. We Dance. We Steal Things.2008
David Shrigley / Thee Oh SeesGallerie Fieber edition (2 x 7-inch singles)2011
David ShrigleyBrain Activity (book + 7-inch single)2011
Castle Face & Friends Velvet Underground & Nico 2012
Stephen Malkmus & FriendsCan’s Ege Bamyasi2013
Iain Shaw & David ShrigleyAwesome2013
David ShrigleyI Am an Actor (7-inch picture disc)2013
Malcolm Middleton & David ShrigleyMusic + Words 2014
Iain Shaw & David ShrigleyListening to Slayer (7-inch EP)2016
Lord Stornaway & David ShrigleyDon’t Worry (pink vinyl 12″ LP)2018
David ShrigleyGoat Music (Book + 12″ LP)2019
David Shrigley & Régis LaugierPlay Something Awful2020
David Shrigley’s discography

Several of Shrigley’s records were released in association with exhibitions of his work in galleries and museums. The earliest release that I have thus far found that features Shrigley’s art is for a 2002 CD A Guide for the Daylight Hours by Ballboy. Paul Coombs tipped me off about the second David Shrigley cover for Blur’s Good Song DVD release. David Shrigley had directed the music video and drew the cover art for the DVD single.

In 2006 Shrigley released an LP and CD entitled Forced to Speak With Others: the LP included a poster. The same year he released a seven inch single, Ding Dong, that played a doorbell’s DING on side A and the same doorbell’s DONG on side B. Brilliant conceptual art! This single was released in connection with Shrigley’s exhibition at the Dundee Contemporary Arts museum. In December 2006, Deerhoof released a picture disc single, The Perfect Me, from their forthcoming Friend Opportunity album and original copies contained twelve different cover variations which Shrigley painted .

Three releases with Shrigley’s cover art appeared in 2007: Deehoof’s Friend Opportunity in January and a soundtrack collection CD called Hallam Foe. In addition a book with a series of tracks by a variety of artists recording of Shrigley’s lyrics called Worried Noodles was released. Shrigley had had an exhibition at the Center for Curatorial Studies’ Bard Museum between September 30 – December 14, 2001. Apparently the museum released a book called Worried Noodles in the form of an LP record, though it only contained a card printed to look like an LP.

More recent exhibitions include one at the BQ Gallery in Berlin in 2018. The Gallery had already released Shrigley’s I Am an Actor 7-inch picture disc single in 2013 and released an LP for this exhibition called Don’t Worry. This was a further collaboration with guitarist Iain Shaw.

Probably the rarest of Shrigley’s exhibition releases is the split release together with the band Thee Oh Sees (a.k.a Osees), released as a limited edition (200 copies) double 7-inch on pick vinyl in special packaging drawn by Shrigley.

I suspect that David Shrigley is as obsessed with records as I am. He has designed a frisbee with the text I Collect Records — I Am Obsessed With them.