A “New” Record Cover by Jann Haworth.

When I was preparing an exhibition of Peter Blake’s record cover art at Piteå Museum in northern Sweden in 2009, I realised that Peter Blake had all but taken over responsibility for the design of the Sgt. Pepper’s Lonely Hearts Club Band album cover. I wondered how his ex-wife and co-designer Jann Haworth felt about this and contacted her and we began a correspondence. She acknowledged that she has been marginalised. In 2017 the BBC published an interview with her entitled Jann Haworth: The forgotten creator of the Sgt. Pepper cover. we discussed the inequalities that appeared in retrospect about the characters featured on the cover. Why were there so few people representing ethnic minorities, so few women? Obviously, the cover was a product of its time and these questions were only being formulated in the sixties. Jann, now living in Salt Lake City, Utah, U.S.A., has since tried to address this and has produced a large mural called SLC Pepper.

Janns SLC Pepper
Jann Haworth in front of her mural in Salt Lake City.

Haworth has also produced a seven-panel womens’ mural that has been shown in various locations around the world.

JAnn Haworth Women
Jann Haworth’s Womens mural on seven panels.

During a more recent exchange of emails, Jann told me she had been searching for news of Joe Ephgrave, the artist who painted the Sgt. Pepper drum. He had been a friend of hers and Jann had one of his paintings, of a tiger, on her wall back in the sixties. I asked Jann if she had designed any other covers after the Sgt. Pepper cover. She had not done any covers for real records but in 2017 had taken Joe’s tiger design and produced a painting in the form of a record sleeve.

Tiger 1
Jann Haworth’s 2017 record cover design.

She had made two copies, one in Salt Lake City and the other in Denver, Colorado. And, realising I wouldn’t be able to get one of these, I decided to make my own. First I downloaded the cover picture and sized it in Photoshop and printed it on supersized A3 paper. Then using graphite paper traced the design onto a sheet of wellpap.

Then using acrylic paints I finished my version of the cover picture. However, I had a problem with the record label, which proved much more difficult to copy accurately. I mentioned this to Jann and she kindly helped me by mailing me the design.

Janns Label
Jann’s mail with the design of the record label.

This saved me an enormous amount of work! making the wellpap “record” took some time and then calculating the size of the label was tricky. Finally, my copy was ready.

Richards Tiger cover
My recreation of Jann Haworth’s Tiger cover.

This “artwork” is an homage to both Jann Haworth and to Joe Ephgrave. Perhaps not as professional as Jann’s original, but made with gratitude and in the knowledge that it’s unique.

Röyksopp’s “Melody A.M.” Promo Cover Art.

Vinyl records with cover art by the artist known as Banksy were released in relatively limited quantities and have become very collectible. Two promotional records are particularly interesting for collectors as their covers are hand sprayed by Banksy. These are the Capoiera Twins4 x 3 / Truth Will Out 12″ single released in 1999, and Röyksopp‘s Melody A.M. album issued as a double LP in 2001. Both were editions of 100–the Capoiera Twins single unnumbered and Röyksopp‘s album hand numbered. I have previously written about the 4 x 3 / Truth Will Out cover and how I was swindled by what I now consider an unethical dealer here.

In this post I want to discuss the Melody A.M. cover.

I bought my copy of this album (No. 84/100) in 2011–before prices really started to skyrocket. It was sold to me by DJ who needed the money as he was getting married. All the copies I had seen up to that point had the cover art sprayed in dark green paint and I was initially disappointed in that my copy was sprayed in a much lighter green. I was suspicious that perhaps this was some sort of copy, but the records and press release were obviously genuine, so perhaps the colour had faded. Recently. however, I have seen several more covers with this light green printing.

Raimunds covers
Five copies of Röyksopp’s Melody A.M. promotional LP with Banksy artwork. Note three with dark green and two with pale green/olive green print. Photo: Raimund Floeck.

The covers pictured above have numbers 20, 34, 46, 56 and 68. Both the olive green versions have the highest numbers and my copy is number 84. So it seems that Banksy changed the colour of the paint at about number 50 (the exact number still has to be confirmed.) Perhaps he just ran out of the dark green spray and took the next best thing.

Thus there really are TWO versions of the promo cover for the Melody A.M. album — the dark green and the pale/olive green varieties. For completeness my collection should include both — that’s how I got to meet Ed Cartwright.

Ed had advertised a copy of the dark green version and we began an email correspondence, finally agreeing a price. Ed didn’t want to trust this rare album to the risks of sending by post or even by private carrier, so he suggested he would deliver it in person, if I agreed to contribute to his flight costs. What could be safer? Done deal. Ed is an interesting character. He is heavily involved in the music industry, managing bands and doing PR work and the occasional DJ gig. He has a huge vinyl collection. Most pertinent to the Röyksopp album, though, is the fact that he worked for Wall of Sound records (Röyksopp‘s label) around 2001-2 when their Melody A.M. album was released. In his office, he apparently was entrusted with a number of these promotional albums. He sold one in 2011 and now wants to rebuild his kitchen so wanted to sell another copy.

So on Friday, March 6th, 2020 Ed flew in to deliver the album. It is number 12/100. Ed could confirm that the initial fifty or so covers were sprayed with the darker green spray paint and suggests that the can ran out and the lighter, olive green spray paint was used for the remainder. Ed says that he knew the guy who sprayed the covers was named Robin. Wall of Sound records asked him to make the covers as a PR exercise, (there may even have been a film of the covers being sprayed), but as Banksy was almost unknown at that time, the information was never used.

Ed delivers 3
Ed Cartwright with the Röyksopp album.

This cover art may not be the greatest thing the artist known as Banksy has ever produced (actually, it’s pretty crappy) but it completes my collection of record and CD covers with his art. Okay, I hear you — I should NEVER say my collection is complete! But until I find something new I’m happy.

Here are my two covers (Nos 12 and 84):