Category Archives: Capoeira Twins “4 x 3”

The Capoeira Twins’ “4 x 3 / Truth Will Out” Promotional 12″ Revisited and a Very Nasty Swindle.

In October 2017 I boasted that I had finally completed my collection of record and CD covers with cover art by the artist known as Banksy. The final two items were a copy of the Capoeira Twins‘ promotional single for Blowpop Records entitled “4 x 3 / Truth Will Out” and the Boys in Blue promo 12″ single “Funk tha Police“.

I was really happy to have found what I thought was a genuine copy of the “4 x 3 / Truth Will Out” promo, but I had misgivings. First, the cover was in such pristine condition–no sign of wear or discoloration that would be expected on an 18-year-old sleeve. Second, the catalogue number etched into the deadwax was BLOWP 008, not the BLOWP 001 that I had expected. I could find no reports of any record on the Blowpop label with that catalogue number. Third, there were obviously THREE tracks on the record–a single track on side A and two on side B. Much later, I managed to play the record and (thanks to Shazam) found that it was, in fact, a promotional copy of Håkan Lidbo‘s “Capoeira” single. The original matrix number DP 012 was still visible in the deadwax beside the obviously newly engraved BLOWP 008. There was also a sticker arttached to the record label on which was written “Capoeira Twins”. I guess this hides the true title of the record. So–I have been swindled!

I decided that I needed to see a genuine copy of the record for comparison. There were three copies for sale on Discogs, one of which was purported to be in near mint condition and I contacted Andy, the seller, to ask for photos, and especially photos of the engravings on the record’s deadwax. He duly sent me pictures, but still I couldn’t make out much except that the catalogue number was definitely BLOWP 001.

I made him a cheeky offer for the record, which he duly refused. I heard nothing from him for a couple of weeks and made a more serious offer. Once again a week’s silence. So, I repeated the improved offer and he accepted. I met him and he explained he was a DJ that had bought the record from a used record shop in 2000 and had used it occasionally when DJ-ing.

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Andy with his copy of “4 x 3 / Truth Will Out”.

Once back at home I put the covers of the BLOWP 001 and BLOW 008 beside each other:

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The covers of BLOWP 001 (left) and BLOWP 008 (right). The matador image is much clearer on the 001 copy and the cover is significantly larger. The “Blowpop Records” text seems fractionally smaller on the 008 version.
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The back of the two covers. BLOWP 008 on the left and BLOWP 001 on the right. Note the slight yellowing of the 001 cover and the hint of a wear ring.

Using a jewellers’ magnifying glass I examined the printing of the covers. The black ink is much more even in the darker portions of the BLOWP 001 cover, while there are lines in the ink of the BLOWP 008 copy that could be from silkscreening (or other printing technique) but hardly be the result of spray painting. In addition the overall width of the matador/car image is almost one centimeter larger on the BLOWP 008 than the image on the BLOWP 001 cover. That would hardly be possible if a stencil had been used.

As I mentioned in my previous post about the Capoeira Twins promo, I had made a limited edition set of ten digital copies of the cover in, I think, 2010.

I can now confidently say that I have three copies of this enormously rare promo in my collection: my 2010 digital copy, the probably fake BLOWP 008 version from 2017 and an undoubtedly genuine BLOWP 001.

The Capoeira Twins “4 x 3 / Truth Will Out” promo 12″.

I have an almost complete collection of records and CDs with cover art by the enigmatic Banksy. I started collecting Banksy cover in 2008, when prices were usually very reasonable–with many records costing as little as £6.99. A few rarer items cost up to £100. The only exceptions were the two covers ostensibly sprayed by Banksy himself. These are the 1999 12″ promotional single “Four (4 x 3)” by the Capoiera Twins and the promotional double LP “Melody A.M.” by Röyksopp. In July 2010 I was contacted by a DJ who was getting married and offered me his copy of the Röyksopp album, which I, naturally, snapped up. By 2016 I had almost all the records and CDs with Banksy cover art with the exception of the original Paris Hilton CD (the one with the sticker on the outside of the front of the jewel case), and the Capoeira Twins 12″.

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“Four (4 x 3)” by the Capoiera Twins (BLOWP008).
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Numbered promo for Röyksopp’s 2001 album “Melody A.M.” – handstencilled by Banksy.

When, in April 2016, I was invited to show my collection in the major Banksy retrospective “War, Capitalism & Liberty” at Rome’s Palazzo Cipolla, these missing covers irked me. I had made a limited edition copy of the Capoiera Twins cover–almost indistinguishable from the real thing–and that would fill one of the gaps. Suddenly two copies of the first pressing of the Paris Hilton CD appeared on Ebay and I was lucky enough to get one in time for it to travel to Rome with the rest of my collection.

I have been looking for a copy of the Capoiera Twins’ 12″ ever since I first heard about it in 2008 without success. I missed a couple of copies early on, but then no further copies seemed to turn up other than in art galleries at inflated prices, until August 2017.

The stencil used for the cover art was also used on a wall in Bristol–I presume after it had been used for the record covers–at Portland Square (post code BS2 8SA).

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Banksy’s Capoeira Twins stencil in Portland Square, Bristol.

According to a seller of a copy of the record, Banksy gave 25 copies of the white label promotional record to friends and supporters, while the remaining 75 copies were sent to DJs and reviewers with no indication of the band name or the record title on the cover or record but with an A4 letter that Blowpop asked to be returned a couple of weeks prior to the release date. The record was a trip hop single that failed to garner much attention when it came out. I suppose the DJs who received copies played them a couple of times and filed them away or–as was common in the nineties and early 00s–sold them to secondhand record shops (one owner owned up to selling his copy in the early 2000s £1,99), or simply chucked them away. And–had it not been for the Banksy cover–would probably never have been heard of again.

A couple came up for sale on Ebay in around 2008 and, if I remember correctly, sold for £400-600. In the last couple of years the prices of vinyl records with Banksy art covers has increased dramatically and suddenly four or five copies of the Capoeira Twins “4 x 3” have been auctioned off for amazing prices of £5000-6000! Another sold in October for a bargain £4223.23. A further two copies appeared in Great Yarmouth, Norfolk, in November and I snatched one of them, the other selling for £6,500.

There is another hand sprayed Banksy cover that has also increased dramatically in price recently. I refer to Röyksopp’s “Melody A.M.” promotional double LP.

Just as I was about to buy my copy of the Capoiera Twins record, a new record with Bnaksy art appeared. This was another white label 12″ single “Funk tha Police” by a band called Boys in Blue that had Banksy’s “Rude Copper” as its cover art. This is said to be a limited edition of 100 copies, so I duly invested.

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The cover of the Boys in Blue’s 12″ single “Funk tha Police”.

Thus, as of November 2017, my collection of records and CDs with Banksy art is complete. I’ll have to keep watch for newer covers, of course, but it feels like my job is done here.