I am lucky to count Guy Minnebach as a friend as he is the source of much of my knowledge about Andy Warhol’s record cover art. I first got to know Guy sometime around 2005 when we shared information about Warhol covers and Guy tipped me off about covers I didn’t have. Then when I was about to curate the Happy Birthday, Andy Warhol exhibition at Piteå Museum in 2008, Guy lent me several extremely rare covers to include in the show and then arrived to co-curate and help hang the show. We have remained in contact ever since and Guy was a founder member of the Warhol Cover Collectors Club.
His knowledge of Andy Warhol’s art is impressive and he has identified a number of record covers and designs previously not known to be by Andy Warhol. He also writes about Warhol covers on his Andy Earhole blog, which I heartily recommend to anyone interested in Warhol’s record cover art.
In a blog post in November 2016, Guy described the June 1983 edition of the Spanish music magazine El Gran Musical, which published an interview with Miguel Bosé about his new album Made in Spain that described how the cover art came about. It has taken me almost four years to find my own copy of the magazine.
In 1983 Latino star Miguel Bosé’s manager contacted Andy Warhol in the hope that he would design the cover for Bosé’s as yet untitled album planned for that year. He contacted Warhol expecting the cold shoulder but was surprised that Warhol immediately agreed to providing a portrait for the cover and Bosé first spent two days in New York (presumably for the photo session with Warhol) and later a further two weeks while Warhol made the video for Bosé’s Fuego single.
As can be seen in the article, Warhol photographed a bare-chested Bosé in front of a white screen. Warhol then produced a unique series of five portraits from the Polaroids taken at that session. It seems highly likely (as Guy Minnebach suggests) that Warhol also came up with the title Made in Spain for the album, having been involved in Loredana Berté’s Made in Italy album in 1981. Made in Spain must have seemed a logical title after Made in Italy. Guy also speculated that Warhol had also done the typography for the album but Bosé has said that he did it himself although it does seem quite Warholian.
A double-sided poster of Warhol’s artwork for the album was included in the El Gran Musical magazine.
The reverse showed The Police.
Bosé’s record label CBS released a limited promotional folder for the Made in Spain album. This contained the full 12 inch LP as well as 7 inch and 12 inch copies of the Fuego single and a presentation folder that included a fold out poster of the cover artwork.
Bosé was obviously so pleased with Andy Warhol’s design that he used it on his 1983 Italian album Milano – Madrid and on the covers of the Fuego and Non Siamo Soli singles as well as on the Made in Spain album.
I have both the Made in Spain (both the standard LP and the CBS promo folder) and Milano – Madrid albums along with the standard seven inch Fuego and Non Siamo Soli singles completing my collection of Miguel Bosé’s records with Warhol’s cover art.