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The Latest Damien Hirst Cover Art

On 26th February 2016 Jeff Wootton (born 12 May 1987) released his first solo album entitled “The Way the Light“. The album, is released on the British Sympathy for Vinyl (not to be confused with the American Sympathy for the Record Industry) label. Well, I had not heard of Jeff Wootton but a quick gander at his CV reveals that he is a demon guitarist. When Noel Gallagher left Oasis, Liam Gallagher recruited him to his new group Beady Eye. Wootton has played along side Damon Albarn in Gorillaz and on Albarn‘s solo project as well as with Brian Eno, Noel Gallagher (appearing in Gallagher‘s 2015 video “Ballad of the Mighty“). He also travelled to Mali together with several other musicians, including Damon Albarn, Brian Eno and Nick Zinner with a group called Africa Express to record a version of Terry Riley‘s “In C“–a work I first heard in the mid sixties.

Jeff Wootton LP-fr
Jeff Wootton’s 2016 album “The Way the Light”

The Way the Light“album is released in a limited edition of 500 copies (mine is No. 403) which include a limited edition book with ten new Damien Hirst spin paintings–one for each album track. The gatefold album cover also has one of the Damien Hirst paintings on the rear cover.

Jeff Wootton LP-bk
Damien Hirst’s spin painting on the rear cover of the “The Way the Light” album (almost identical to that illustrating track 7 in the booklet.

The booklet contains a number of classy photos of Wootton playing his guitar (a Stratocaster) and another is used on the centre spread of the gatefold cover.

Jeff Wootton LP-inner
Centre spead of the album cover. Is this a Gibson guitar?

And here are the ten Damien Hirst spin paintings mounted together.
Ten Hirst Spins

I have not yet been able to find any details of how Damien Hirst came to cooperate with Jeff Wootton on this album project. This is Damien Hirst’s 28th record cover.

Jack O’Reilly – A Rare LP cover and its relevance to Peter Blake’s Record Cover Art

Well, well, well! This is a surprise! A record on ventriloquism! What on earth is it doing in my record collection?

Jack O'Reilly-fr

As anyone can see the cover picture is a pastiche of Peter Blake‘s and Jann Haworth‘s “Sgt Pepper’s Lonely Hearts Club Band” cover, but that’s not why I bought it. I really love the “drum” with the title “Constable O’Rourke’s Wooden Hearts Club Band“! That adds something extra that is not often found on other pastiches. And there, just right of centre is Jack himself; in front of just over forty ventriloquists’ dummies.

The story begins with Chris Jagger‘s 1974 album “The Adventures if Valentine Vox the Ventriloquist“.

Adventures
Chris Jagger’s “The Adventures of Valentine Vox the Ventriloquist”. Asylum 7E-1009, 1974.

I started doing some research on Peter Blake‘s record covers and mailed Chris Jagger for details about how this LP cover came about. He told me that he had come across the book “The Life and Adventures of Valentine Vox”,  by Henry Cockton (1807-1853). The book was originally published in 1840 in installments and in 1842 in a single volume with sixty illustrations by Onwhyn) and Jagger liked the title and decided to use it for his second album. Peter Blake apparently supplied the ventriloquist’s dummy. So, I got hold of a late 19th Century copy of the book, unfortunately though not the illustrated version.

ValentineVox_cover

Then curiosity took hold. I found out that there is (or was) a ventriloquist by the name of Valentine Vox and started to search for information about him, but turned up little. But my searches did find a museum of ventriloquism at Vent Haven, Kentucky, and I contacted the curator Lisa Sweasy for information. She told be that at least six ventriloquists have used the stage name Valentine Vox, or variations on it, such as Valentine Fox or Valentine Faux and wondered which I was interested in. Of course I had no idea! So I suggested the most recent. She informed me of a Jack Riley that used the used the Valentine Vox alias and told me that he had written a book on ventriloquism called “I Can See Your Lips Moving–the History and Art of Ventriloquism“, published in 1993 under that name. However, Riley had also appeared using the stage name Jack O’Reilly and had recorded  the LP entitled “You Can Be a Ventriloquist“, in 1969. It has since been re-issued as a CD.

Now to find out more about the mysterious Jack Riley. Apparently, he was born in England in 1939. He moved to America and–at some point–to Toronto, Canada, where the “You Can Be a Ventriloquist” was released. In 2003 he married fellow ventriloquist Eyvonne Carter. That’s what I have been able to find out so far.

And, before anyone starts to ask–No, I’m not going to learn to be a ventriloquist. But researching a record cover can turn up some weird and wonderful stuff.

 

Peter Blake – Two Limited Edition Singles Boxes.

As readers of this blog will have noticed, I have been spending an alarming amount of time adding to my collection of record covers with Peter Blake‘s art. I recently noticed that I had failed to describe two somewhat rare items–the boxed sets of seven inch singles of Eric Clapton‘s “24 Nights” album and a similar box of Paul Weller‘s “Stanley Road” album.

24 Nights” Promotional Box Set [Warner Brothers – EC3]
The “24 Nights” boxed set of seven singles, each in it’s own picture sleeve, was released as a promotional set by Warner Brothers, who also produced a limited edition lithograph with Peter Blake‘s drawing from the concert series.
24Nights_Box-fr

24Nights-promo poster

I hadn’t realised until very recently that each single had its own specific cover all using Peter Blake‘s handwriting as the font for the track titles.

Here are the seven singles’ front designs:
24Nights-singles

And here are the reverse designs:
24Nights-Singles-back

Stanley Road” Limited Edition Box Set [Go Discs! 850 070-7]
There were two limited editions of the “Stanley Road” album–this box set of six seven inch singles and a twelve inch box set containing a booklet, a 7-inch print and the CD. The Singles box also contained a 7-inch version of the booklet and a print. Once again Peter Blake had designed individual covers for each of the singles:
Stanley Road_box-fr

The front covers:
Stanley Road composite

Once again Peter Blake‘s characteristic handwriting was used for the titles. And the rear covers all had individual designs too:
Stanley Road-Singles-Back

These thirteen covers should thus be added to the list of Peter Blake‘s record cover art.

I shall be returning to  a deeper analysis of each of Peter Blake‘s individual record art in future posts.

 

 

Another Record Cover with Banksy Art.

I have not been able to find any record or CD covers with Banksy art since the release of Danger Mouse‘s set of limited edition 12″ singles “Keep It Real/Laugh Now” in 2008, so in December 2015 I was surprised to see an LP advertised that uses a modified version of Banksy‘s “Flower Thrower” image where a ball had been substituted for the bunch of flowers.
JM-Pokemon-fr

This record is purported to be a test pressing for Junichi Masuda‘s unofficial album entitled “Pokémon“released in 2015 with a sort of “Sgt Pepper’s Lonely Hearts Club Band” pastiche cover. The album was released on red/white swirl vinyl, which I suspect is the reference for the red/white ball being thrown. The test pressing album, however, was only available on black vinyl.

Pokemon

Junichi Masuda (born 12th January, 1968) is extremely influential in the field of computer games and is a director of the Pokémon company and designs games for the company and composes music to accompany them.

Apparently, the idea for the test pressings of this album was to stencil 100 covers with the “Flower Thrower” image but something happened during the spraying and (I suppose) the stencil was damaged so the final ten copies were sprayed with a stylised rabbit chasing a balloon – a pastiche (to my mind unsuccessful) of Banksy‘s “Girl With Balloon” artwork.

Pokemon-Rabbit-TestPress

This one, however, seems too far from the Banksy original for my taste. I was lucky to be able to get hold of the “Flower Thrower” version at a reasonable price but this “Rabbit” version would cost between $300-400, which helps solve my quandry as to whether or not to include one in my collection.

Andy Warhol – Supernova: Stars, Deaths & Disasters 1962-1964. 2006 Exhibition at Art Gallery of Ontario.

In June 2013 I bought a press kit from the Art Gallery of Ontario’s Andy Warhol exhibition entitled “Supernova: Stars, Deaths & Disasters” which ran from July 8th to October 22nd, 2006. The exhibition was guest curated by film director David Cronenberg and the press pack contained two tickets for the exhibition, the hardcover catalogue and a CD entitled “Cronenberg on Warhol” housed in a gatefold sleeve with Warhol‘s “Elvis I” on the front and “Elvis II” on the rear. In addition to the press pack the Art Gallery of Ontario produced a limited edition poster of the “Elvis I and II” in an edition of (I think) 1000 and a set of four pins advertising the exhibition.

Elvis1&2

There are copies of the print on Ebay offered at over CAD 2000, which seems excessive for such a large run of prints. But, until recently, I had never heard of the four pin set.
Warhol buttons

I thought these were unusual and rather cool so I bought myself a set to add to the press pack. I have decided to pass on the Elvis I & II print as it is on the CD cover.

Peter Blake and Eric Clapton’s “24 Nights”

During the past few months I have been concentrating on Sir Peter Blake’s record cover art and trying to do some in-depth research to find out how his record covers came about, who made the commissions, which techniques he used, upon which photographs were illustrations based and any other facts, relevant or not. I have tried to contact the artists involved where possible. I have also nurtured a lust to get hold of the one item of Peter Blake‘s record cover art that I had not managed to find. I refer to the Genesis Publication’s set “24 Nights –  The Limited Edition. Music by Eric Clapton / Drawings by Peter Blake“. This box set included two books – a “Scrapbook“, an A4 sized book of Peter Blake‘s drawings and photographs and a 58-page “Commentary” by Derek Taylor – some “memorabilia” comprising a badge, guitar strings, four plectra and a backstage pass from the Journeyman tour and two photographs of Eric Clapton. This set was published in a numbered edition of 3,500 copies as well as a further 200 copies numbered in Roman numerals “for review purposes”. All copies were signed by both Peter Blake and Eric Clapton. Published in 1991, it soon sold out.

Genesis-24 Nights-fr.jpg

The cast:
Eric Clapton (born 30th March 1945)- legendary guitarist and lover of the Blues.
Peter Blake (born 25th June 1932) – equally legendary artist.
Derek Taylor (1932-2008) – Journalist, author, friend of the above and former press officer for The Beatles.
Brian Roylance (1945-2005) – founder of Genesis Publications and friend of all three above.
Roger Forrester (born August 1949) – Eric Clapton’s manager until 1998.

The 24 night series of concerts at London’s Royal Albert Hall were to be the finale to Eric Clapton‘s “Journeyman” world tour that played 153 concerts in 78 cities around the world over 14 months and were seen by almost 2.5 million fans. The tour was a promotional tour for Eric’s 1989 album “Journeyman” and his record company Reprise Records, a Warner Brothers subsidiary, planned a live album to be released after the tour. Eric Clapton knew Brian Roylance (1945-2005) the founder of Genesis Publications and suggested a documentation of the tour. Warner Brothers commissioned Peter Blake to paint a portrait of Eric Clapton, and wanted three other artists to do the same for an album to be called “Four Faces of Eric Clapton” but in the end only Peter Blake was commissioned instead to draw four portraits. Peter Blake had not met Eric at this time.

The Journeyman tour started in Birmingham on January 14th 1990 and ended at the Royal Albert Hall on March 9th 1991. There was a break for Christmas from 13th December 1990 until 31st January 1991 when it would resume in Dublin. The band reconvened in Dublin earlier to rehearse. Brian Roylance wanted Eric Clapton‘s longtime friend Derek Taylor (1932-2008) to write a commentary to the project and asked Derek and his wife Joan to travel to Dublin to be at the rehearsals. Peter Blake arrived in Dublin around the 26th January and had dinner with Roger Forrester who asked Blake if he liked Eric Clapton’s music. Blake replied, “No, I’ve never been a fan. I hate long guitar solos.”

Peter Blake had access all areas to make his sketches and said everyone got so used to him being around that they hardly noticed him. He could sketch freely. He followed Eric Clapton back to England and continued sketching at the Royal Albert Hall and at the two blues concerts at the Brixton Academy on February 21st and 22nd, 1991. Warner Reprise Records got their cover drawing for the “24 Nights” album released on 8th October 1991.

Twenty-five years after the release of the “24 Nights” album and Genesis Publications’ box set I managed to get hold of my own copy of this wonderful set. And thanks to Derek Taylor‘s “Commentary” book included in the set and Peter Blake‘s detailed notes in the “Scrapbook” have helped me piece together this story.
24Nights_Commentary.jpg

 

 

A Review of 2015 – Covers by Warhol, Blake, Voormann, Hirst & Banksy

My collection of record cover art by my favourite five artists continues to grow. 2015 provided almost fifty new covers on record and CD. The statistics show there were:
– Twenty-seven covers with Andy Warhol‘s art (eleven on CD) and four covers that were Warhol related – more of those later.
– Five covers (well three really) with Klaus Voormann‘s art,
– Five covers with Peter Blake‘s art
– Three covers with Damien Hirst‘s art
– Two covers with Banksy‘s art
– One cover with Nat Finklestein‘s portrait of Andy Warhol
– One cover with images of diverse pop artists works.

ANDY WARHOL COVERS
There were four really rare covers that I got hold of in 2015. These were:
1. Ultra Violet‘s 1973 album “Ultra Violet“, which I bought in April,
2. A copy of The Rolling Stones‘ “Sticky Fingers” nicely autographed by Andy Warhol,
3. A copy of The Rolling Stones‘ “Love You Live” autographed on the inner spread by Andy Warhol and
4. Carlos Chavez‘ “A Program of Mexican Music” with the rarer blue cover.

Other vinyl releases that I found during the year included.
Tennessee Williams reading from The Glass Menagerie” with the alternative colour variation, I also bought two copies of The Rolling Stones‘ “Sticky Fingers“, an original US release with the title printed over the belt at the top left of the cover and the 2015 reissue with the working zipper, but with the brass drawpull in the shape of John Paiste’s “tongue” design.
Other LPs included The Velvet Underground‘s “Psychedelic Sounds From the Gymnasium” and two versions of The Velvet Underground‘s “Velvet Underground & Nico” – one a picture disc and the other the limited edition “45th Anniversary edition” with the original torso rear cover picture and a peelable banana on the front. I found a UK pressing of Artie Shaw‘s “Any Old Time“. There was also another bootleg, “In 1966 There Was…“, a double album on red vinyl and the official release “The Velvet Underground Live – With Lou Reed“. I also got hold of a Rolling Stones bootleg “Lonely at the Top“, purported to be a limited edition of only 55 copies. I happened upon a modern box set of Margarita Madrigal‘s “Magic Key to Spanish” with the original book and two LPs in a custom box that, however did not use Warhol’s art anywhere.

I also bought some vinyl singles and EPs: John Lennon‘s “Imagine / It’s So Hard” and “Jealous Guy / Going Down on Love” 7-inch singles, Debbie Harry‘s “In Love With Love” 12-inch picture disc, Diana Ross‘s “So Close / Fool for Your Love” and Paul Anka‘s “Happier / Closing Doors” 7-inch singles.

The CDs included both the Q Magazine various artists releases entitled “Lennon Covered #1” and “Lennon Covered #2“. Other official CDs were The Museum of Modern Art‘s various artists release “Open Ends: Musical Exploration in New York 1967 to 2000“, a first CD re-issue of Moondog‘s “The Story of Moondog” on the Prestige label and David Jones & Bill Shute‘s collection of children’s songs “Widdecombe Fair” with beautiful Warhol art on the gatefold cover and the CD booklet. There was also a promotional CD-r collected by MPHO (MPHO Skeef) with DJ Beware called “MPHO and the Art of Pop, Vol 1” with cover art including pictures of record covers and art works by a variety of American Pop Artists.
Sinner that I am, I also bought six bootleg CDs, three by The Rolling Stones: “Marquee ’71 + Sticky Out“, “Rare Tracks +” and “Stereo Baby“. The latter a three CD set in a foldout cover.

The Warhol-related issues included the bootleg LP of Lou Reed’s & John Cale’s “Songs for Drella” LP featuring Nat Finklestein’s Warhol portrait with tambourine and John Cale‘s live recording of “Two Songs for Drella” with cover portrait of Warhol by Robert Mapplethorpe. I also found a cheap sealed copy of “15 Minutes – Homage to Andy Warhol“. This various artists release includes four LPs, three CDs and prints by the artists featured. I am not really clear as to exactly what relationship, apart from the title,  this box set has to Andy Warhol, though.

PETER BLAKE COVERS
This was the area where I expected least and found more than I had ever expected. 2015 turned out to be an exciting year! While there was only one official release with Peter Blake‘s art I found four bootleg CDs. The official release is Mark Knopfler‘s “Tracker” LP which has a picture of Peter Blake‘s painting “I Love You” on its inside spread.

The bootleg CDs were all of concerts by Eric Clapton, who’s 70th birthday was on 30th March 2015. To celebrate this Clapton performed two concerts at Madison Square Garden in New York on May 1st and 3rd – he had intended to play the second concert on May 2nd, but the venue was booked for the New York Rangers playoff. A bootleg tripple CD was released on the Mid Valley label with the complete playlists from both nights entitled “Eric Clapton–Madison Square Garden 2015 – 70th Birthday Celebration” with a cover picture of Eric Clapton painted by Sir Peter Blake earlier in the year. Clapton followed up with seven concerts at London’s Royal Albert Hall between 14th and 23rd May. These concerts were also recorded and released in a 14 CD called “Eric Clapton–Royal Albert Hall 2015” set by Mid Valley using the same cover portrait of Eric Clapton. I managed to find the programme from both concerts on Ebay and Blake’s portrait of Eric Clapton is on both front and rear covers.
Finding these two bootlegs inspired me to look for other bootlegs of Eric Clapton’s live shows. I was amazed to find that what appears to be all of his live appearances – at least since the 1980s – seem to be available on bootlegs. However, only two of the hundreds available appeared to use Peter Blake‘s art. These are CDs of the first and fourth nights of Clapton‘s 1991 “24 Nights” series of concerts at The Royal Albert Hall. So I had to chase those, too.

KLAUS VOORMANN COVERS
I have several times thought that I had collected all of Voormann’s covers but I am continuously proved wrong. 2015 was no exception. The first cover I discovered was Harry Nilsson‘s 1982 LP “Flash Harry“, which has a 5 x 5 cm line drawing of Harry by Klaus Voormann on the rear cover. Then towards the end of the year I saw a copy of 10″ EP by Paddy, Klaus & Gibson called, not unsurprisingly “Paddy, Klaus & Gibson“. These three were the remaining members of Voormann‘s group The Eyes when guitarist/vocalist John Frankland left the band. The trio recorded three singles and it is these six songs that make up this EP. The record is a private pressing organised by orthopaedic surgeon Dr Dieter Hoffmann and only 300 copies were pressed, 100 on red vinyl, 100 on clear vinyl and 100 on back vinyl. In order to support this great effort, I ordered one copy of each vinyl colour! There is Japanese glamrock band called GLAY and Klaus drew the cover image for their 2015 CD “Music Life“.

There was, however, some not so good news – Thorsten Knublauch, from whom I had bought one of the copies of the Paddy, Klaus & Gibson 10″ – told me about a record with cover art by Klaus Voormann that I had never heard of. The record is a recording of a jazz radio programme. The cover picture is of a man lying in a hospital bed connected to drip bottles. The title is “Wer nie im Bett Programm gemacht“, or something like that. So far I haven’t been able to find a copy… So my Klaus Voormann collection is still not complete!

DAMIEN HIRST COVERS
I was surprised to see two promotional folders for Dave Stewart‘s 1992 “Heart of Stone” single appear on Ebay at ridiculously inflated prices. They didn’t sell and eventually the price came down to affordable levels when I hopped in. The CD singles came in A5 folders with slightly different texts and different catalogue numbers – explaining why I had to have both. In addition I found a promotional copy of the The HoursNarcissus Road” CD with a cover that I had not seen before.

BANKSY’S COVER ART
There do not seem to have been any new record or CD covers that use Banksy’s cover art since 2008. I did manage to get hold of one version of Blur‘s “Think Tank” CD in a box set with postcards. Then in the last days of December I saw a copy of a test pressing of Junichi Masuda’s LP “Pokémon” with a hand sprayed image of Banksy’s “Flower Thrower” but with a coloured ball substituted for the flowers. There are purportedly on 100 copies of this test pressing and I managed to get one relatively cheap-

So, another successful year’s collecting. But I still guess that none of my collections are complete yet. So I look forward to 2016.

New cover art by Sir Peter Blake.

Towards the end of September, I came across a Rolling Stones CD with cover art by Andy Warhol that I had not seen before. A search for a possible source lead me to a seller in Japan from whom I bought a copy and thereby found myself on the seller’s mailing list. A newsletter arrived at the end of November and I scrolled through it to see if there were any another Stones CDs with Warholian art that I had missed–with no success. BUT–there was a CD box with a portrait of Eric Clapton that looked suspiciously like a recent Peter Blake portrait. Enlarging the cover picture showed that it really was by Peter Blake–and even had his signature. This was a 14 CD box of all seven concerts that Clapton played at London’s Royal Albert Hall between 14th and 23rd May 2015 to celebrate Clapton‘s 70th birthday that was on 30th March. The set is released on the Mid Valley label and must be a bootleg.
EC-RAH-2015_fr

Further Internet searches showed that Clapton had also played two concerts at Madison Square Garden on 1st and 3rd May as part of his birthday celebrations. There had been a common programme for all nine concerts–a LP-sized book with the same picture on one cover and the same portrait of the other but with the Madison Square Garden text.

EC-program-bk

So I bought a copy! Inside was a further portrait of Eric holding a card with other  portraits, drawn by his daughters, Sophie, Ella and Julie:
EC-Program-inner

Well, I had to have the CD box to “complete” my collection of Peter Blake covers but when I returned to the Japanese site it was listed as being out of stock! A feverish Internet search ensued which eventually lead me back to an Ebay seller in Japan who had copies for sale and within four days it had arrived! And then I had another surprise. The same seller advertised a 3 CD set of the Madison Square Gardens concerts! The cover art was again taken from the programme cover:
EC-MadisonCD

So I placed an order for this one, too.

I then noticed that there was an official album of Clapton‘s Royal Albert Hall Concerts released on CD, DVD and vinyl called “Slowhand at 70 – Live at The Royal Albert Hall” but the cover art is not by Peter Blake.
Slowhand_at_70
And then I started googling Eric Clapton bootlegs. I was astounded by the number available. It would seem that almost every concert Clapton has played since the early 1990s has been bootlegged. Thus it is completely logical that Reprise Records released a double CD and Double LP of Clapton‘s 1991 “24 Nights” series of concerts at The Royal Albert Hall in order to cash in on the interest in his live performances. I found that there were several bootlegs of individual concerts from the “24 Nights” series available. The majority had covers showing photographs of Clapton in various poses take at the concerts, but two–one with a recording from the first night (5th February 1991) and one from the fourth night (9th February 1991) used some of Peter Blake‘s drawings from the cover of the official release. Here is the “First Night” cover:
ericclap-24nights-first-night-300x287

and here is the “Fourth Night“:
ericclap-24nights-fouth-nights-300x294

The “First Night” is a double CD while the “Fourth Night” is a double CD-r.

These four CD sets are the first bootlegs that I have been able to discover that use Peter Blake’s art. I wonder if he knows about them? Probably not!

I shall continue to search for others.

Lou Reed & John Cale – Songs for ‘Drella’ and The Velvet Underground reunion

In 1968 John Cale and Lou Reed had fallen out during the recording “White Light / White Heat”, The Velvet Underground’s second album. They vowed not to play together again. However, they met at Andy Warhol‘s memorial service at St Patrick’s Cathedral on April 1st 1987 after having not had any contact with each other for many years. Apparently, Julian Schnabel suggested that they write a memorial album for Andy.

Warhol superstar Ondine had nicknamed him “Drella“–a contraction of Dracula and Cinderella and Reed and Cale decided to call their work “Songs for Drella“. They previewed the work at Brooklyn’s St. Anne’s Church in two concerts on January 8th and 9th 1989 before it was  complete.And these concerts were recorded and a bootleg LP appeared.
Warhol by Finkelstein

DoubleWarhol

The record cover was a silkscreened copy of Nat Finkelstein‘s 1965 portrait of Andy Warhol holding a tambourine. John Cale recorded a single with two songs from the “Songs for Drella” project live on 27th July, 1989. These were “Style It Takes / Forever Change“. The cover showed two contractions of Robert Mapplethorpe’s portrait of Andy Warhol (C The Robert Mapplethorpe Foundation).

AW by RM

Cale_Drella_fr

The complete work was performed at a series of concerts in November and December 1989 and one performance filmed and released on DVD and Laserdisk. Reed and Cale recorded the work over the following two months for an album, which was released by Sire Records on 24th April 1990 on standard CD, a limited edition Digipak CD and on LP.

SongsForDrella
“Songs for Drella” CD with a Warhol self-portrait visible behind Lou Reed and John Cale.

A single “Nobody But You / Style It Takes” was released from the album.

A tour proved out of the question although Cale and Reed did perform together again in 1990 in Paris. They were joined by Sterling Morrison and Mo Tucker to play “Heroin“. This concert was also recorded and released on a bootleg entitled “Paris 1990“, with fluorescent cover art on a black background. The front cover showed a Warhol lily and the rear a portrait of Warhol in a diamond-shaped lozenge.

VU_PAris1990_fr_600

VU-Paris1990_bk

The arrival of Morrison and Tucker at the Paris concert lead to a further reunion concert in 1993 that was also recorded and released on CD and Laserdisk entilted “The Velvet Underground Redux Live MCMXCIII” and later as a four-LP set with Warhol’s banana as the cover art.

VU_1993_Laser_fr_600

 

The [Almost] Complete List of 45 RPM singles and EPs with Andy Warhol Cover Art

I started to compile a list of all vinyl singles (seven and twelve inch) and extended play (EP) 7-inch records early in 2013  (see Andy Warhol Art on 45s, Part 1) and published it on 26th June 2013 with the intention of completing the list within a couple of weeks. However, the challenge proved greater than I had anticipated and it has taken me just over two years to get anywhere near a reasonably complete list of all the 45 RPM records that have cover art by Andy Warhol. Experience has taught me never to claim that a list like this is complete but this is as near as I can get just now. I am sure that more records will turn up as soon as this list is published. So, if you can see that I have missed any, do not hesitate to contact me and I will add them to the list.

Just a note about the conditions for inclusion on my list.
1. I have omitted compact disc singles – obviously, they are not on vinyl.
2. I have also excluded singles whose covers simply have a picture of the parent album on the reverse.
3. I have omitted European pressings of RCA singles that simply repeat the American issues.

My apologies for including the records listed in Part 1 of this list. I felt it best to make a new chronological list.

Note: No. 13 on this list, “Progressive Piano” was scheduled for release by RCA as a 10-inch LP and a 2 x 7-inch EP set, but appears never to have been issued. Only lithographs of the cover design exist in The Warhol Museum.

While on the subject of RCA EPs released in the 1950s, I would point out that the company released Byron Janis‘ recording of “Rhapsody in Blue / Grand Canyon Suite” and Erica Morini‘s recording of Tchaikovsky‘s “Violin Concerto” on both on LP and as 3 x 7-inch EP sets. The third RCA Bluebird record with illustration attributed to Andy Warhol is the “Porgy & Bess / Symphonic Dances” album also released on LP and, I suspect, even as a 3 EP set. I have thus far never seen the EP set of this recording so I have not included it in my list.

On 10th June 2015 The Rolling Stones‘ Album “Sticky Fingers” was rereleased on both vinyl and CD with added tracks. A box set including a repressing of the “Brown Sugar / Bitch / Let It Rock” EP was included in the box set with the same cover as the 1971 and 2011 versions, using the rear cover photo from the “Sticky Fingers” album on the rear.

45-List-croppedSo, there is my latest attempt at a complete list. Suggestions for additions are very welcome.