Tag Archives: Beatles

Searching for Joe Ephgrave.

A few years ago, while researching the Sgt. Pepper story I wondered about the mysterious Joe Ephgrave who painted the famous Pepper drum. I could not find any information about him on the Internet apart from a conspiracy theory wound up in the “Paul is dead” theory that suggested that Paul had died in a car crash on 9th November 1966, and the Beatles had continued recording the Sgt. Pepper album with a substitute. Furthermore, the album’s cover image was really of a funeral with the crowd of mourners standing looking down at the fresh grave with the drum as the headstone. Ephgrave was supposed to be a fusion of “epitaph” and “grave” and thus there was no real person called Ephgrave.

I contacted Jann Haworth, co-creator of the Pepper cover and asked her about Joe. Jann told me that he was a circus artist–what today would be called a signwriter–who had been a friend. She had bought two prints from him and he had painted a tiger on her wardrobe. Jann generously shared a photo of her in her studio around the time of the Pepper cover. The wardrobe is on the right.

Jon Naar’s photo of Jann Haworth in her London studio in the late sixties with Ephgrave’s wardrobe on the right.

Haworth lost contact with Joe after the Pepper cover and spent considerable time trying to find out what had happened to him. There was a rumour that he had emigrated to Australia but the trail went cold. Eventually, Jann found Joe’s son, Joe junior, who sent her this short biography that I reproduce unedited.:

My dad was a great artist but being honest pretty useless with money, I can remember my mum and dad having quite a few arguments over money, there was a time when my mother held down three job, she would work in a florists in the morning, go cleaning in the afternoon and work nights in an old peoples home just to make ends meet. She was always there for me and my sister in the mornings and to put us to bed.

Money was tight in those days and we could not afford many luxuries but every couple of months or so my mum would buy a packet of Chow Mein as a little treat for my sister and I, it was something special to us as we knew mum had gone out of her way to get it for us, seems crazy these days I know, so when you said we could have anything that day that’s the first thing that sprang to mind as to us it was special.

The final chapter in dad’s history was mum and dad split up around 1978-79 from memory and dad moved to Great Yarmouth and lived and worked on the seafront fairground there. I only saw him once after he moved there, I don’t know if he did any more painting while he was there. He died some years later from a brain tumour and my mum and sister went to see him just before he passed away, I was living in Germany at the time and didn’t get to see him but being honest we had very little contact in the last few years.

In 2017, Jann decided to paint an homage to Joe and reproduced his tiger motif on a mock record cover made of wellpap. She made two copies, both now in private cllections (one in Denver and the other in Salt Lake City). Here is Jann Haworth’s original. It’s only the second record cover she has designed.

She shared the design with me, and graciously allowed me to make my own replica, even sending me the file with the record label design. Here’s my version.

We have been trying to find out more details of Joe’s life and Jann put me in touch with Kevin Fabbi, who has been researching Joe’s life and had contact with his remaining family. Kevin generously gave me the dates of Joe’s birth and death. He was born in 1928 and died in 2004. So he would have been 39 when he painted the Pepper drum skins.

Amazingly, it turns out that Kevin has also made a reproduction of Joe’s Tiger motif (far more dramatic than mine!) and he kindly allowed me to reproduce it here:

So, now we have identified the THREE designers behind the Sgt. Pepper cover picture–Peter Blake, Jann Haworth AND Joe Ephgrave. Joe has now taken. his rightful place thanks to Jann’s and Kevin’s research.

Ed Ruscha’s Record Sleeve Art.

Here’s another artist whose record cover art I don’t really collect. But as you probably know by now I do have a penchant for Pop Art and I put Ed Ruscha in that class. However… I did pick up the Beatles’ Now and Then / Love Me Do single on seven- and twelve-inch vinyl, so I have the beginnings of an Ed Ruscha collection.

Yesterday (18th May, 2025), I went to Stockholm’s Wetterling Gallery to see the Ed Ruscha exhibiton Figure It there and was honoured to be given a guided tour by Björn Wetterling himself. He also dug around for a copy of the exhibiiton catalogue which is housed in a twelve-inch record sleeve. Thus I have two Ed Ruscha record covers, so I decided to see what other covers he has made.

First off, there’s Paul McCartney‘s 2020 album McCartney III, which wasn’t designed by Ruscha but he provided the typography on the front cover. Photography was by Mary McCartney, so Paul kept that in the family.

  1. The first cover Ruscha painted was for Mason Williams ‘1969 album Music.

2. Ruscha did the title on the cover of Talking Heads‘ 1992 compilation album Sand in the Vaseline. The cover art, however, is credited to Frank Olinsky and Manhattan Design.

3. Van Dyke Parks released a seven-inch single in 2011 called Dreaming of Paris / Wedding in Madagascar (Faranaina) and used a photo of Ruscha’s Paris print on the cover.

4. The two remaining memebers of the Beatles, with the help of AI reworked John Lennon‘s demo of Now and Then and in 2020 released it as a single on seven-, ten-, and twelve-inch vinyl coupled with a Giles Martin remastered version of the Beatles‘ first single Love Me Do. This time Ruscha designed the cover.

5. In 2023, Interscope Records celebrated its thirtieth anniversary and invited several “fine” artists to reimagine the cover art of many of the label’s back catalogue. Damien Hirst reimagined twelve of Eminem‘s covers and Richard Prince reimagined Nine Inch NailsThe Downward Spiral cover. Ed Ruscha reimagined 2Pac‘s All Eyez on Me album from 1996. There were two versions; a picture disc version in a ‘limited’ edition of 500 copies and a black vinyl edition of 100 copies that included a giclee print of the cover art signed by Ruscha. The picture disc edition sold for USD 100 and the 100 copy edition for USD 2,500!

6. Dead End. This is the cover from the Wetterling Gallery‘s recent Ed Ruscha exhibition. The Dead End print looks like it’s made of metal but it is actually a multi-layered print on hand-made paper. The typeface is Ruscha‘s typical Boy Scout Utility Modern with its squared off, geometric letter forms. Insted of a record, there is a card insert along with the actual catalogue.

I haven’t been able to find any more Ed Ruscha covers so I might be tempted to try to collect the few that I don’t actually have.

Klaus Voormann & Revolver’s 50th Anniversary.

Klaus Voormann has a greater claim to being the fifth Beatle than most. If I had to rank the contenders, I’d put Brian Epstein on the top of my list, followed very closely by George Martin and then, probably, Klaus at number 3. After all, he knew them and became friends with them in Hamburg. He lived for a while with Ringo and George and was the one John phoned when The Beatles needed a cover for their seventh, at the time unnamed, album that became “Revolver“. Later Klaus played on many recordings with individual Beatles (including George Harrison‘s “The Concert for Bangladesh“) and was a founder member of the Plastic Ono Band. So other “contenders” for the title of the fifth Beatle such as Pete Best or Murray the K (Murray Kaufman, born February 14, 1922 – died February 21, 1982) don’t come close.

Quite apart from being an accomplished musician, Klaus Voormann has pursued a successful career as an illustrator. He is a master at portraying The Beatles as they were in the sixties and has produced posters of Lennon and McCartney in the Abbey Road canteen, John Lennon and Paul McCartney. The latest set of Beatles portraits appeared on the covers of the August/September 2016 German music magazine “Good Times“. This issue had five different covers.

The magazine contained an interview with Klaus on the 50th anniversary of “Revolver” and each magazine included an A2 poster of the cover portrait.

There was even a promotional brochure that pictured all five magazine covers.
Good Times-brochure.jpg

While researching Klaus‘ book “The Birth of an Icon-Revolver 50” (see my previous post on this) I stumbled across another of his books that I had previously missed completely. In 2005 he published “Four Track Stories“, an illustrated paperback describing The Beatles‘ time in Hamburg.
four-track-stories-fr

This first edition is autographed on the flyleaf:
four-track-stories-flyleaf

I ordered my copy directly from Klaus‘ website and it arrived in less than a week. There was a discussion about the shipping cost and Klaus refunded the shipping together with an autographed postcard with a personal message:

In our mail exchanges I asked if he knew of any record or CD covers that he had designed that were due for release and he asked which covers I already had. So I mailed him my list of 80 of his of his record covers with an apology that I only had 78 of them. So far he hasn’t replied about any new covers in the pipeline.