Andy Warhol’s Unreleased Record Cover Designs.

There are currently 68 known record covers with designs or illustrations by Andy Warhol (not counting colour variations or variations in format — LP or 7″) produced in his lifetime–the exact number is unknown as new covers with his illustrations/designs seem to turn up with monotonous regularity as soon as there has been an exhibition purporting to show his complete oeuvre. A case in point being the discovery of Paul Desmond’s 1963 Take Ten LP found in 2019 just as the Warhol 1968 exhibition at Moderna Museet in Malmö, closed, where a “complete” collection of Warhol’s covers was shown.

In addition, there are countless record and CD covers that use Warhol’s art released since his death. There are also designs for at least six record sleeves that Warhol made that were never released. These are:
Progressive Piano — a Various Artists compilation — planned for release by RCA Records, both as a 10″ LP and as 7″ EP (probably a double EP) as RCA allocated catalogue numbers for both formats. Lithographs of these covers are in the collection of The Warhol Museum in Pittsburgh.

Progressive Piano – 10″ LP, RCA Victor LJM-3001.

Progressive Piano – RCA Victor 45EP-EJB 3001.


– Four designs for a Billie Holiday four-track EP entitled Volume 3, probably aimed at Columbia Records, as the songs were recorded for that company’s subsidiaries. The song titles were written on the covers of two of the designs. There are four songs on one and seven on the second. The songs are:
Did I Remember?
I’ll Never Be the Same
They Say
Georgia on My Mind
I’m in a Low Down Groove
Romance in the Dark
Night and Day
No Regret
We do not know if these designs were actually commissioned or were simply Warhol’s own idea. No single record with these titles seems to have been released.

I first read about the four designs for the Billie Holiday covers in 2015 in Guy Minnebach’s excellent Andy Earhole blog. You can read his post here. And I’ve been thinking about trying to recreate them on record covers.

All these designs must be from the early 1950s. The Progressive Piano collection was probably as early as 1952 and the Billie Holiday designs I would guess were made around 1953 or 1954 as they are somewhat in the style of the drawings Warhol made for Margarita Madrigal’s Magic Key to Spanish and that appeared on the record covers to the two albums of pronunciation exercises that accompanied the book, published in 1953.

I made reproductions of the Progressive Piano LP and double 7″ EP several years ago and these have been included in exhibitions of Andy Warhol’s record cover art; most recently at Moderna Museet in Malmö, in 2019.

Recreating the Billie Holiday covers is much more difficult. Redrawing Warhol’s sketches means finding pens that can imitate Warhol’s lines. Then painting the colours round his drawings. So far I have attempted three of the covers:

There is a lot more work need to make them even remotely like Warhol’s originals. I hope I’ll be able to post more polished results sometime in the future.

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