Tag Archives: Rick Griffin

Art Posters, Music posters, Poster art, Rock Posters, Victor Moscoso

Victor Moscoso — Moscoso’s Cosmos: The Universe of Victor Moscoso. A New Exhibition Catalogue.

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As you probably know, Victor Moscoso is one of the Big Five San Francisco poster creators from the mid to late sixties along with Wes Wilson, Alton Kelley, Stanley Mouse and Rick Griffin. Their posters were a massive influence when I came to paint posters for my college at that time. I collected handbills and postcards of the posters for The Fillmore Auditorium and Avalon Ballroom way back then and I still have forty-one of them (see my previous post to see them all), including seven by Victor Moscoso:

The seven Moscoso handbills in my collection.

I had record covers by Rick Griffin, Mouse and Kelley and Victor Moscoso. My favourite was The Steve Miller Band’s 1968 album Children of the Future, a gatefold cover designed by Moscoso. I lent the cover, along with about thirty others, to an exhibiiton of record cover art at Bildmuseet in Umeå in 1982 and the organisers chose to fix it to the wall with double-sided tape, which tore four one-inch squares off the cover when it was finally taken down. It took seven years to find a replacement mint copy.

Moscoso’s design for the imnner spread of the Children of the Future album cover.

Apart from the handbills, I had a couple of books by three of the Big Five. One of Stanley Mouse’s & Alton Kelley’s art and another with Rick Griffin’s.

Books of Alton Kelley’s & Stanley Mouse’s and Rick Griffin’s art.

So, when I heard that there was an exhibition of Victor Moscoso’s art in León, Spain, that runs from 13th November 2021 until 20th February 2022, called Moscoso Cosmos: The Visual Universe of Victor Moscoso, and that there was a lavish catalogue, I had to get hold of a copy.

The catalogue for the Moscoso Cosmos. the Visual Universe of Victor Moscoso.

This ain’t no puny thing either. It measure 32 x 24 cms (12.6 x 9.4 inches) and runs to 220 pages with 58 full-page prints of posters and artworks. It is a very welcome addition to my art library.

For anyone interested in poster art from the golden age of American psychedelia, there’s a Facebook group called Fillmore Poster Appreciation Society. Loads of beautiful posters are posted there and there’s loads of information about their creators and the various pressings of many. Even posters of British psychedelia poster artists turn up there. Martin Sharp, Hapshash & the Coloured Coat, Michael English and Nigel Weymouth (both separately from Hapshash). I can recommend a visit.

Rock Posters

An Inventory of My Sixties Posters.

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When at University in the sixties I used to paint posters for dances, balls and parties. Having limited imgination, however, I found inspiration from many sources. I bought Michael English’s posters of Coke bottletops, Fried eggs and, as one half of Hapshash & the Coloured Coat (with Nigel Weymouth) the third issue of English OZ magazine.

Unfortunately, I no longer have these two, but I do still have:

Tantric Love by Hapshash & The Coloured Coat.
OZ magazine #3, June 1967.

While still a student, I used to spend Saturdays walking down the King’s Road, Chelsea, bird-watching. I found a boutique somewhere near the Town Hall that sold psychedelic postcards/handbills by artists such as Wes Wilson, Rick Griffin, Mouse & Kelley and, probably my favourite, Victor Moscoso. These were for concerts at the legendary Fillmore West and Avalon Ballroom. I managed to find forty of these and, some time later, my brother sent me a further postcard from a concert at the Fillmore East, making forty-one in all. I’ve spent a happy hour or two cataloging them, and here’s the result.

  • Wes Wilson — BG-34
  • Wes wilson — BG-58
  • Rick Griffin
  • BG-56
  • Rick Griffin – AoR 2.24
My collection of Fillmore and Avalon Ballroom Postcards and handbills.


I have no idea if any of these are particularly rare — but I still think they are beautiful and many seved as inspirations for my own poster designs that I’ll show in a forthcoming post.