Fairytales usually start “once upon a time …”, so that’s probably how I’ll start this post. Once upon a time I got hold of a printers’ proof of Dirty Funker’s Let’s Get Dirty cover. As you all know, there are two versions of this cover — one with no artist or title on the cover, only the two Kate Moss portraits, the second, more common, cover has a “Dymo” band over Kate’s eyes on the front with the title and over her mouth on the rear cover.
The printers’ proof:
No one know how many printers’ proofs are made. Probably only a handful. I’ve only ever seen one other Let’s Get Dirty proof before.
Last month, I saw an Ebay item that I couldn’t resist. A seller in Stockholm, literally just down the road from where I live (well. actually a bus ride or eight underground stops way) had advertised the original stampers for the Let’s Get Dirty single and I made a cheeky offer that (after a wee haggle) was almost instantly accepted! They came with documentation on their provenance, so I guess they’re genuine.
I think this combination of the printers’ proof cover art together with the original stampers must be pretty rare. They make a great addition to my collection. So, thanks Dan for selling me the stampers.
My blog is usually about record design and some of my favourite cover designers. This post is about an icon who appears on record covers.
According to a dictionary an icon is either: a devotional painting of Christ or another holy figure, typically executed on wood and used ceremonially in the Byzantine and other Eastern Churches, OR
a person or thing regarded as a representative symbol or as worthy of veneration.
I don’t suppose anyone would argue that supermodel Kate Moss is a 21st Century icon. Her face is on the covers of fashion magazines and there are coffee table books of photographs of her. She has even appeared on record sleeves. The first one that I have been able to identify is Dirty Funker‘s “Let’s Get Dirty” which used Banksy‘s Kate Moss portrait from 2005
Apparently Kate Moss bought one but it was stolen in 2010 together with other Banksy works that she had bought.
Dirty Funker‘s use of Banksy‘s Kate Moss’ portrait on his record sleeve was not authorised by Banksy. But hey ho, who cares? A first pressing showed only Moss‘ face with no title or other text, while a second (more common) had a black Dymo tape with the record’s title across Moss‘ eyes on the front and across her mouth on the rear.
The February 2008 number of TAR Magazine contained a photographic essay of Kate Moss. And the magazine’s cover was adorned with Damien Hirst‘s portrait of Kate, with the right side of her face dissected down to the muscles.
The following Year Hirst released a single-sided 12-inch single in an edition of 666 copies pressed on white vinyl that used the TAR Magazine picture on its cover.
Bryan Ferry released his thirteenth album “Olympia” on 25th October 2010. The album was released as a CD, CD with DVD, a collectors’ edition with extra tracks as well as a limited edition LP. He seems to have been besotted with Kate as the album and five singles’ covers taken from it all bear Kate‘s portrait. There is a video of the photo shoot for the cover photo
The Vinyl Factory in London released five limited edition 12-inch singles from the album in 2010 and 2011. All with cover photographs of Moss. These are “You Can Dance” (2010), “Shameless Remixes” (2010), “Alphaville” (2011), “Heartache by Numbers” (2011) and “BF Bass (Ode to Olympia) (Remixes)” (2011). The portraits of Kate Moss on these covers are by british photographer Adam Whitehead (born 1973).
Thus I have been able to find ten covers with portraits of Kate Moss released in less than 10 years. I think this fulfills the second definition of an icon. Perhaps I have missed a cover or two. Readers are very welcome to let me know of any I have missed.