I don’t normally write about record cover artists that I don’t collect. However, A friend has nagged me about William Eggleston’s covers and I felt I had to look into them.

Eggleston, born July 27th, 1939 in Memphis, Tennessee, was apparently an introverted child who his mother described as “a brilliant but strange boy”. He taught himself to play the piano and drawing. He was drawn to visual media and collected postcards and cut out pictures from magazines. Eggleston first became intrested in photography while at Vanderbilt University in Nashville and bought his first camera after a friend who recognised his fascination with visual imagery and his interest in mechanics suggested he buy a camera.

He turned to colour photography and in 1976 the Museum of Modern Art organised the first exhibion of Eggleston’s photographs–an exhibition that for the first time showed colour photographs. This seminal show was accompanied by the Catalogue Willim Eggleston’s Guide and showeed, for the first time, that colour photography could be raised to the level of art. Two of the photos in this book would turn up on record covers.

Eggleston has had many impressive exhibitions since.

Record covers

1. Eggleston‘s first record cover image was on Big Star’s album Radio City, released in 1974. The cover featured Eggleston’s 1973 photograph Red Ceiling. Alex Chilton (1950-2010) was a founder member of Big Star. Eggleston was a good friend of Chilton’s parents and Alex’s father championed Eggleston’s work. Alex knew him well and also admired his work, so it was natural to ask Eggleston for an image for Big Star‘s album, In addition Eggleston was later to play piano on Nature Boy, one of Big Star‘s songs on their third album.

2. Alex Chilton‘s 1979 album Like Flies on Sherbert features Eggleston’s Dolls on a. Cadillac photo from his Los Alamos series made between 1965 and 1974. Again, Chilton asked his friend for a suitable cover image.

3. Green on Red, from Tucson, Arizona, was a quartet made up of Dan Stuart, Jack Waterson, Chris Cacavas and Chuck Prophet. The band released their fourth long player Here. Come the Snakes in 1988 with Egglesgon’s Near the River at Greenville, Mississipi from 1975 on the cover.

4. Primal Scream went to Ardent Studio in Memphis to record Rocks and recorded their 1992 EP Dixie Narco there.Intgerestingly, Big Star had recorded Radio City at Ardent studio and Alex Chiltern’s mother had an art gallery in Memphis showinfg Eggleston’s photography. It seems likely that Primal Scream would have been exopsed to Eggleston’s work during that visit to Memphis and resulted in the band using four of Eggleston’s photos on record sleeves.

5. Another Big Star album came out in 1993 when the re-formed band made up of Alex Chilton, Jody Stephens and new recruits Jon Auer and Ken Stringfellow from the Posies released Live at Missouri University. Once again Chilton turned to Eggleston for a cover image. The picture of a ceiling fan is reminicent of the Red Ceiling photo on the band’s Radio City cover. the photo is titled Washington D.C:, 1970.

6. The following year (1994) Primal Scream used a cropped version of Eggleston’s Troubled Waters on their 1994 Give Out But Don’t Give Up album. According to Primal Scream the image of a Confederate Flag was a reference to the fact that the band had been to the South to Memphis to record with legendary producer Tom Dowd.

7. Gimmer Nicholson moved in the same Memphis circles as Eggleston and recorded his Christopher Idyll album in 1968, produced by Terry Μanning, a photographer and friend of Eggleston. Eggleston had helped edit the photography on Mannings’s own 1970 album Home Sweet Home. Nicholson‘s Christopher Idyll was first released as a limited edition LP in 1981 and later as a CD in 1994.

8. The title of Jimmy Eat World‘s 2001 album Bleed American echoes the title of Eggleton’s photo, which is also from the Los Alamos series (1965-1974). The photo shows sports trophies on top of a cigarette vending machine supposed to rerpresent “the fragilityof success.”

9. The photo on thee cover of The Derek Trucks Band‘s Soul Serenade album is Eggleston’s Untitled (Near Minter City and Glendora, Mississippi) from 1970 and is the first to come from the William Eggleston Guide book.I haven’t been able to establish a direct connection between the band and Eggleston, but the fact that the band comes from the American South makes using a photo from a fellow southener (Eggleston) logical.

10. Chuck Prophet, as previously mentioned, was previously a member of Green on Red and was a confirmed Eggelston fan. His Age of Miracles album was released in 2004. The photo, from 1975, was of Eggleston’s friend Martha Hare spaced out on half a Qualude taken in Memphis. It would turn up again on Primal Scream‘s 2006 single Country Girl.

11. Primal Scream seem to like Eggleston’s work as the band released two singles in 2006 with cover photos by him. Here’s the cover of Country Girl. The other was Dolls. (see No. 12)

12. David Berman, formed the Silver Jews in New York together with Stephen Malkmus and Bob Nastanovich from Pavement in 1989. Berman was living in Memphis when the band’s Tanglewood Numbers came out in 2005 and he felt that one of Eggleston’s photos from Memphis suited the album’s cover.

13. The second Primal Scream single from 2006 was Dolls with Eggleston’s Untitled, Memphis, 1972-73 photo on the cover. I’m not sure who the model was on this one.

14. It is unclear why Joanna Newsom decided to use a modified version of Eggleston’s Kenya, 1980 photo on the cover of her 2007 release Joanna Newsom and Ys Street Band E.P. The cover shows a rotated version of the original photo. Eggleston’s original has the branch sticking out from the left of the picture. The record’s title is supposed to be a play on Bruce Springsteen’s E. Street Band.

15. Spoon, a band from Austin, Texas, released their seventh album, Transference, in 2010 and selected Eggleston’s photo of his nephew from his Sumner, Mississippi, series. This photo was also included in the 1976 MoMa exhibition of Eggleston’s owork and included in the exhibition catalogue.

16. 2017 William Eggelston’s Music, his first release of his own musical improvisations with two tracks by well-known composers; Lerner & Loewe‘s On The Street Where You Live and Gilbert & Sullivan’s Tit Willow.

17. Eggleston‘s second full-length recording came out in 2023, when he was 84 years old! This album contained one of his own improvisations and five “standards”; Ol’ Man River, Smoke Gets in Your Eyes, Over the Rainbow, That’s Some Robert Burns and Onward Christian Soldiers (which occupies the whole of side two. The title, 512, comes from the flat where he recorded the album,

18. J. Spaceman (Jason Pierce) and John Coxon, part of Spiritualized, one of my favourite bands, released a double album entitled Music for William Eggleston’s Stranded in Canton on 18th October 2024. They first performed the musical score in a show at the Barbican Gallery in 2015 but the record wasn’t released until nearly ten years later. Stranded in Canton is Eggleston’s 1974 raw Memphis film shot in bars and on street corners and showing Eggleton’s friends carousing, playing music and firing pistols into the night sky.

The album cover shows stills from the film rather than separate photographs. I have the standard edition but there is a deluxe white vinyl version with extra photos and a booklet and a different cover image (see the lower picture.)